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Note: This is the 2022–2023 eCalendar. Update the year in your browser's URL bar for the most recent version of this page, or .
Note: This is the 2022–2023 eCalendar. Update the year in your browser's URL bar for the most recent version of this page, or .
The Master of Music in Performance; Early Music program offers early music instrumentalists and vocalists instruction and performance experiences of a rich variety, as well as studies in historical performance practice.
Students admitted to the M.Mus. in Performance; Early Music program who have undergraduate degrees other than the B.Mus.; Major in Early Music Performance (Voice) or B.Mus.; Major in Early Music Performance (Baroque Violin, Viola, Cello, Viola da Gamba, Flute, Recorder, Oboe, Organ, Harpsichord and Early Brass Instruments) from º«¹úÂãÎè, may be required to successfully complete one or more undergraduate courses before completion of the Master's degree. Students with a B.Mus.; Major Early Music Performance degree from º«¹úÂãÎè may be required to successfully complete MUPD 560 Introduction to Research Methods in Music before completion of the Master's program.
Ensemble : An ensemble of 4-6 vocalists and instrumentalists which performs music of the Medieval, Renaissance and Baroque periods.
Terms: Fall 2022, Winter 2023
Instructors: La Rotta, Esteban; Brault, Olivier; Jennejohn, Matthew; Bergeron, sylvain; Frey, Elinor; Bandy, Dorian (Fall) Bandy, Dorian; La Rotta, Esteban; Bergeron, sylvain; Jennejohn, Matthew; Putterman, Mika; Frey, Elinor; Lauzer, Vincent; Brault, Olivier (Winter)
Prerequisite: Audition. Prerequisite or corequisite for keyboard players: MUPG 272.
Graduate Faculty Music Courses : Participation in three professional development workshops or research colloquium approved by the department on topics such as performance pedagogy, academic teaching, music production, copyright, business, grantsmanship, etc. Students participate in each semester of residency until requirements have been met.
Terms: Fall 2022, Winter 2023
Instructors: There are no professors associated with this course for the 2022-2023 academic year.
* 3 credits (3 terms of)
Practical Instrument : Individual instrumental, vocal, conducting, collaborative piano or operatic tutorial. Technical and interpretive development, preparation of thesis performance projects.
Terms: Fall 2022, Winter 2023
Instructors: Algieri, Stefano; Hashimoto, Kyoko; Knox, Hank; Roy, Andre J; Poletaev, Ilya; Strauss, Axel; Leclair, Jacqueline; Labelle, Dominique; Box, James; Christie, Carolyn; Dolin, Elizabeth; Gaudreault, Jean; Kolomyjec, Joanne; Lupien, Denise; Robinson, Brian; Marandola, Fabrice; Vallée, Jean-Sébastien; Mac Master, John; Cho, Jinjoo; Chappell, Eric; Desgagne, Alain; Gavrilova, Julia; Johnson, Alexander David; Manker, Brian; Plouffe, Helene; Swartz, Jennifer; Bluteau, Denis; Ducharme, Jérôme; Read, Alexander; Normand, Jean-Francois; Brouwer, Albert G; Polegato, Brett; Yazdanfar, Ali; Wan, Andrew; Hendrickson, Anna; Soderstrom, Elin; Haimovitz, Matt; Hauser, Rudolf-Alexius; Laimon, Sara; Mdivani, Marina; Lemelin, Stéphane; Baskin, Theodore; Devuyst, Russell; Levesque, Stephane; McMahon, Michael; Stoelzel, Richard; Trevino, Matthew; Aldrich, Simon; Bergeron, sylvain; Dix, Trevor; Dyachkov, Yegor; Freeman, Peter; Mangrum, Martin D; Merkelo, Paul A; Napper, Susan; Jennejohn, Matthew; Beausejour, Luc; Popescu, Annamaria; Beaudry, Pierre; Mallette, Marcelle; Howle, Mark Austin; Cope, Todd; Cote, Nadia; Melancon, Violaine; Brault, Olivier; Watson, Nathaniel; Dobby, Timothy; Smith Bessette, Tracy; Cowan, Steven; Globerson, Eitan; G'froerer, Joanna; Derome, Denys; Kearney, Patrick; Fournelle-Blain, Victor; Kutan, Aline; Burmeister Strauss, Anja (Fall) Christie, Carolyn; Mdivani, Marina; Leclair, Marie-Chantal; Hashimoto, Kyoko; Manker, Brian; Popescu, Annamaria; Marandola, Fabrice (Winter)
Practical Instrument : Additional individual instrumental, vocal, conducting, collaborative piano or operatic tutorial according to area of performing specialization.
Terms: Fall 2022, Winter 2023
Instructors: Hashimoto, Kyoko; Roy, Andre J; Strauss, Axel; Kolomyjec, Joanne; Levesque, Stephane; Bergeron, sylvain; Leclair, Marie-Chantal; Aldrich, Simon (Fall) Roy, Andre J; Strauss, Axel; Robinson, Brian; Desgagne, Alain; Johnson, Alexander David; Manker, Brian; Read, Alexander; Brouwer, Albert G; Polegato, Brett; Yazdanfar, Ali; Wan, Andrew; Hendrickson, Anna; Hashimoto, Kyoko; Poletaev, Ilya; Leclair, Jacqueline; Labelle, Dominique; Box, James; Christie, Carolyn; Dolin, Elizabeth; Gaudreault, Jean; Kolomyjec, Joanne; Lupien, Denise; Marandola, Fabrice; Vallée, Jean-Sébastien; Mac Master, John; Cho, Jinjoo; Chappell, Eric; Gavrilova, Julia; Plouffe, Helene; Swartz, Jennifer; Beausejour, Luc; Bluteau, Denis; Ducharme, Jérôme; Normand, Jean-Francois; Soderstrom, Elin; Algieri, Stefano; Haimovitz, Matt; Hauser, Rudolf-Alexius; Laimon, Sara; Lemelin, Stéphane; Devuyst, Russell; Levesque, Stephane; McMahon, Michael; Stoelzel, Richard; Hargreaves, Stephen; Trevino, Matthew; Aldrich, Simon; Bergeron, sylvain; Freeman, Peter; Mangrum, Martin D; Merkelo, Paul A; Napper, Susan; Jennejohn, Matthew; Popescu, Annamaria; Beaudry, Pierre; Mallette, Marcelle; Howle, Mark Austin; Cote, Nadia; Brault, Olivier; Watson, Nathaniel; Baskin, Theodore; Dix, Trevor; Dyachkov, Yegor; Cope, Todd; Melancon, Violaine; Dobby, Timothy; Smith Bessette, Tracy; Cowan, Steven; G'froerer, Joanna; Derome, Denys; Kearney, Patrick; Fournelle-Blain, Victor; Kutan, Aline; Burmeister Strauss, Anja; Miller, Elizaveta; Lambert, Frédéric; Basque, Alexis; Mdivani, Marina (Winter)
Practical Instrument : Individual tutorial according to area of performing specialization. Interpretative preparation of thesis performance projects and development of individual artistic vision.
Terms: Fall 2022, Winter 2023
Instructors: Algieri, Stefano; Hashimoto, Kyoko; Knox, Hank; Roy, Andre J; Poletaev, Ilya; Strauss, Axel; Leclair, Jacqueline; Labelle, Dominique; Box, James; Christie, Carolyn; Dolin, Elizabeth; Kolomyjec, Joanne; Lupien, Denise; Robinson, Brian; Marandola, Fabrice; Vallée, Jean-Sébastien; Mac Master, John; Cho, Jinjoo; Chappell, Eric; Desgagne, Alain; Gavrilova, Julia; Johnson, Alexander David; Manker, Brian; Plouffe, Helene; Swartz, Jennifer; Bluteau, Denis; Ducharme, Jérôme; Read, Alexander; Normand, Jean-Francois; Brouwer, Albert G; Yazdanfar, Ali; Wan, Andrew; Haimovitz, Matt; Hauser, Rudolf-Alexius; Laimon, Sara; Mdivani, Marina; Lemelin, Stéphane; Baskin, Theodore; Devuyst, Russell; Levesque, Stephane; McMahon, Michael; Stoelzel, Richard; Aldrich, Simon; Bergeron, sylvain; Bolduc, Remi; Dyachkov, Yegor; Freeman, Peter; Mangrum, Martin D; Merkelo, Paul A; Napper, Susan; Popescu, Annamaria; Mallette, Marcelle; Richer, Patrice; Howle, Mark Austin; Cope, Todd; Cote, Nadia; Melancon, Violaine; Brault, Olivier; Watson, Nathaniel; Smith Bessette, Tracy; Cowan, Steven; Kutan, Aline; Trevino, Matthew; Globerson, Eitan; Polegato, Brett (Fall) Roy, Andre J; Strauss, Axel; Hashimoto, Kyoko; Poletaev, Ilya; Marandola, Fabrice; Haimovitz, Matt; Hauser, Rudolf-Alexius; Laimon, Sara; Mdivani, Marina; Levesque, Stephane; Stoelzel, Richard; Bergeron, sylvain; Bolduc, Remi; Merkelo, Paul A; Napper, Susan; Leclair, Marie-Chantal; Cowan, Steven; Aldrich, Simon; Miller, Elizaveta; Manker, Brian; Kutan, Aline; Chen, Jun-Yuan Lambert; Dolin, Elizabeth; Gaudreault, Jean; Leclair, Jacqueline; Cope, Todd; Desgagne, Alain; Polegato, Brett; Trevino, Matthew; Mac Master, John; Ducharme, Jérôme (Winter)
Practical Instrument : Individual tutorial according to area of performing specialization. Interpretative preparation of thesis performance projects and development of individual artistic vision.
Terms: Fall 2022
Instructors: Kutan, Aline; Leclair, Jacqueline; Cope, Todd; Desgagne, Alain; Polegato, Brett; Cowan, Steven; Trevino, Matthew; Manker, Brian; Algieri, Stefano (Fall)
Students must register for both MUIN 622D1 and MUIN 622D2
No credit will be given for this course unless both MUIN 622D1 and MUIN 622D2 are successfully completed in consecutive terms
MUIN 622D1 and MUIN 622D2 together are equivalent to MUIN 622
Practical Instrument : Individual tutorial according to area of performing specialization. Interpretative preparation of thesis performance projects and development of individual artistic vision.
Terms: Winter 2023
Instructors: Dolin, Elizabeth; Gaudreault, Jean; Aldrich, Simon; Leclair, Jacqueline; Cope, Todd; Desgagne, Alain; Polegato, Brett; Cowan, Steven; Kutan, Aline; Trevino, Matthew; Manker, Brian; Mac Master, John; Ducharme, Jérôme (Winter)
Prerequisite: MUIN 622D1
No credit will be given for this course unless both MUIN 622D1 and MUIN 622D2 are successfully completed in consecutive terms
MUIN 622D1 and MUIN 622D2 together are equivalent to MUIN 622
Performance : Solo recital, collaborative piano recital, conducting recital or principal Opera Role (by audition) with program notes.
Terms: Fall 2022, Winter 2023
Instructors: There are no professors associated with this course for the 2022-2023 academic year.
Solo recital (60-70 minutes), collaborative piano recital (60-70 minutes), conducting recital (30-35 minutes) or Principal Opera Role as defined by the American Guild of Musical Artists' website (), Lead, Schedule C
** Students may take MUIN 622 or MUIN 622D1 and MUIN 622D2.
9 credits from the following:
Performance : Solo recital, collaborative piano recital, conducting recital or principal opera role (by audition) with program notes. May include chamber music providing none of the repertoire was prepared in a chamber ensemble taken for credit.
Terms: Fall 2022, Winter 2023
Instructors: There are no professors associated with this course for the 2022-2023 academic year.
Solo recital (60-70 minutes), collaborative piano recital (60-70 minutes), conducting recital (35-40 minutes) or principal opera role (by audition) as defined by the American Guild of Musical Artists' website (), Lead, Schedule C
Performance : Recital, conducting recital or featured opera role (by audition) with program notes.
Terms: Fall 2022, Winter 2023
Instructors: There are no professors associated with this course for the 2022-2023 academic year.
Recital (30-40 minutes), conducting recital (20-25 minutes) or featured opera role (by audition) as defined by the American Guild of Musical Artists' website (), Featured, Schedule C
Performance : Concerto performance with orchestra (for the concerto competition or other competition in Montreal) or supporting opera role (by audition) with program notes.
Terms: Fall 2022, Winter 2023
Instructors: There are no professors associated with this course for the 2022-2023 academic year.
Supporting Opera Role as defined by the American Musical Artists' website (), Supporting, Schedule C
Performance : Chamber Music Recital with program notes. Repertoire may not include works performed in MUEN courses. Various instrumentations permitted as long as student performs in all works.
Terms: Fall 2022, Winter 2023
Instructors: There are no professors associated with this course for the 2022-2023 academic year.
Chamber Music Recital (60-70 minutes). If single ensemble, recital may be taken for credit by all participating students, by approval of department.
Performance : Research-creation involving collaboration between different disciplines resulting in a new work, interpretation or contribution to knowledge presented in public (i.e., performer-composer commission; performer and actor/dancer collaboration, subject in CIRMMT research study, etc) with program notes as relevant.
Terms: Fall 2022, Winter 2023
Instructors: There are no professors associated with this course for the 2022-2023 academic year.
Performer-composer composition of 5-10 minutes. By proposal only and with approval of the Department.
Performance : Research-creation involving collaboration between different disciplines resulting in a new work, interpretation or contribution to knowledge presented in public (i.e., performer-composer commission); performance and actor/dancer collaboration, participant as co-researcher in CIRMMT study including participation in analysis of data, etc.) with program notes as relevant.
Terms: Fall 2022, Winter 2023
Instructors: There are no professors associated with this course for the 2022-2023 academic year.
Performer-composer commission of 10-20 minutes. By proposal only and approval of the Department.
Performance : Preparation and performance of short program of vocal, operatic, or collaborative piano repertoire in a limited three week time frame.
Terms: Fall 2022, Winter 2023
Instructors: There are no professors associated with this course for the 2022-2023 academic year.
20-25 minutes of repertoire
Restriction: Open to students in the M.Mus. in Performance; Opera and Voice and in the M.Mus. in Performance; Collaborative Piano programs.
*** Students may take either MUPG 606 or MUPG 607.
3 credits from the following:
Performance Practice : Seminar in performance practice. Topic varies by year.
Terms: Fall 2022, Winter 2023
Instructors: Demers, Isabelle (Fall) Demers, Isabelle (Winter)
3 hours
Performance Practice : Seminar in performance practice. Topic varies by year.
Terms: Fall 2022, Winter 2023
Instructors: Frey, Elinor (Fall) Smith Bessette, Tracy (Winter)
3 hours
Performance Practice : Seminar in performance practice. Topic varies by year.
Terms: Fall 2022, Winter 2023
Instructors: Leclair, Jacqueline (Fall) Miller, Elizaveta (Winter)
3 hours
Performance Practice : Seminar in performance practice. Topic varies by year.
Terms: Fall 2022, Winter 2023
Instructors: Burmeister Strauss, Anja (Fall) S. Araújo, Liliana (Winter)
3 hours
Performance Practice : Seminar in performance practice. Topic varies by year.
Terms: Fall 2022, Winter 2023
Instructors: Talgam, Imri (Fall) Algieri, Stefano (Winter)
3 hours
Performance Practice : Seminar in performance practice. Topic varies by year.
Terms: Winter 2023
Instructors: Leclair, Jacqueline (Winter)
3 hours
A 3-credit seminar at the 600 level or higher with the prefix MUCO, MUGS, MUGT, MUHL, MUMT, MUPP or MUTH.
3 credits from the following:
Music History and Literature : The theory and practice of musical transcription for the period 1100 to 1600. Black modal notation, Franconian notation, French and Italian Ars Nova notation, Mannerism, white mensural notation, proportions, and lute and keyboard tablatures will be studied.
Terms: Fall 2022
Instructors: Cumming, Julie Emelyn (Fall)
1.5 hours
Prerequisites: MUHL 286
Corequisites: MUTH 250 or MUCO 241, AND MUSP 241 or MUJZ 214
Normally alternates with MUHL 529
Students must register for both MUHL 591D1 and MUHL 591D2
No credit will be given for this course unless both MUHL 591D1 and MUHL 591D2 are successfully completed in consecutive terms
Music History and Literature : See MUHL 591D1 for course description.
Terms: Winter 2023
Instructors: Cumming, Julie Emelyn (Winter)
Prerequisite: MUHL 591D1
No credit will be given for this course unless both MUHL 591D1 and MUHL 591D2 are successfully completed in consecutive terms
Performance : Seminar covering topics related to organ playing, such as liturgical organ playing, organ repertoire and improvisation.
Terms: This course is not scheduled for the 2022-2023 academic year.
Instructors: There are no professors associated with this course for the 2022-2023 academic year.
1. 1 1/2 hours
2. Students must register for both MUPG 575D1 and MUPG 575D2.
3. No credit will be given for this course unless both MUPG 575D1 and MUPG 575D2 are successfully completed in consecutive terms.
Performance : For description see MUPG 575D1.
Terms: This course is not scheduled for the 2022-2023 academic year.
Instructors: There are no professors associated with this course for the 2022-2023 academic year.
Prerequisite(s): MUPG 575D1.
1. 1 1/2 hours
2. Students must register for both MUPG 575D1 and MUPG 575D2.
3. No credit will be given for this course unless both MUPG 575D1 and MUPG 575D2 are successfully completed in consecutive terms.
Performance : Emphasis on vocal performance practices through practical application: text, language, inflection, pronunciation and interpretation considered with individuality of each student's voice and technical development. After examining historical treatises, students will discuss and present musical selections utilizing modern performance standards yet remaining true to stylistic demands of each period.
Terms: Winter 2023
Instructors: Burmeister Strauss, Anja (Winter)
3 hours
Restriction: Not open to students who have taken MUPG 690.
Performance : Introduction to the major treatises with emphasis on their practical application to modern performance. Through the study and discussion of both primary and secondary sources, students will observe and compare national styles. Special topics include the conventions of recitative; text-driven embellishment; ornamentation in Handel's dramatic works.
Terms: Fall 2022
Instructors: Smith Bessette, Tracy (Fall)
3 hours
Restriction: Open to singers, keyboardists, and conductors or with permission of the instructor
Music Theory and Analysis : Advanced study of polyphonic techniques of the renaissance period through written exercises, in-depth written case study, and improvised practice at the keyboard.
Terms: This course is not scheduled for the 2022-2023 academic year.
Instructors: There are no professors associated with this course for the 2022-2023 academic year.
Prerequisite: MUTH 202 or equivalent
Restrictions: Open to graduate keyboardists in early music and organ or permission of the instructor. This course may count only as the additional seminar and not as the approved graduate seminar with the prefix MUCO, MUGS, MUGT, MUHL, MUMT, MUPP, MUTH.
or a 3-credit seminar approved by the Schulich School of Music
* If not already taken
Students take 6 credits from either Instruments or Voice from the following:
Instruments:
6 credits from the following:
Ensemble : Performance and practice of the tabla of North India.
Terms: Fall 2022, Winter 2023
Instructors: Mativetsky, Shawn (Fall) Mativetsky, Shawn (Winter)
Can be taken more than once.
Ensemble : An ensemble of 8 to 12 voices specializing in early music. N.B. This ensemble may substitute as a Basic Ensemble in programs that specify Choral Ensemble, with Departmental approval.
Terms: Fall 2022, Winter 2023
Instructors: Nadler, Rona (Fall) Nadler, Rona (Winter)
4 hours
Prerequisite: Audition.
Ensemble : Open to singers and instrumentalists, this ensemble specializes in chamber music primarily of the Baroque era.
Terms: Fall 2022, Winter 2023
Instructors: Bandy, Dorian (Fall) Miller, Elizaveta; Bandy, Dorian (Winter)
4 hours
Prerequisites: Audition
Ensemble : An ensemble of 4-6 vocalists and instrumentalists which performs music of the Medieval, Renaissance and Baroque periods.
Terms: Fall 2022, Winter 2023
Instructors: La Rotta, Esteban; Brault, Olivier; Jennejohn, Matthew; Bergeron, sylvain; Frey, Elinor; Bandy, Dorian (Fall) Bandy, Dorian; La Rotta, Esteban; Bergeron, sylvain; Jennejohn, Matthew; Putterman, Mika; Frey, Elinor; Lauzer, Vincent; Brault, Olivier (Winter)
Prerequisite: Audition. Prerequisite or corequisite for keyboard players: MUPG 272.
OR
Voice:
3 credits from the following:
Practical Instrument : Individual coaching sessions on advanced vocal repertoire with emphasis on musical and linguistic nuance.
Terms: Fall 2022, Winter 2023
Instructors: Gonthier, Esther; Hansen, Patrick; McMahon, Michael; Hargreaves, Stephen; Leblanc, Suzie; Nadler, Rona; Pelletier, Louise; Nigrim, Dana (Fall) Gonthier, Esther; Hansen, Patrick; McMahon, Michael; Hargreaves, Stephen; Leblanc, Suzie; Nadler, Rona; Pelletier, Louise (Winter)
Restriction: Not open to students who have taken MUIN 600
Practical Instrument : Continuation of Vocal Coaching I with emphasis on musical and linguistic nuance.
Terms: Fall 2022, Winter 2023
Instructors: Gonthier, Esther; McMahon, Michael; Hargreaves, Stephen (Fall) Gonthier, Esther; Hansen, Patrick; McMahon, Michael; Hargreaves, Stephen; Leblanc, Suzie; Nadler, Rona; Pelletier, Louise; Nigrim, Dana; Miller, Elizaveta (Winter)
Restriction: Not open to students who have taken MUIN 601
Practical Instrument : Coaching sessions on advanced vocal repertoire with emphasis on musical nuance and the expression of an individual artistic voice.
Terms: Fall 2022, Winter 2023
Instructors: Gonthier, Esther; Hansen, Patrick; McMahon, Michael; Hargreaves, Stephen; Godin, Olivier; Leblanc, Suzie; Nadler, Rona (Fall) Gonthier, Esther; McMahon, Michael; Scarfone, Marie-Ève; Nigrim, Dana (Winter)
and
3 credits from the following:
Ensemble : Performance and practice of the tabla of North India.
Terms: Fall 2022, Winter 2023
Instructors: Mativetsky, Shawn (Fall) Mativetsky, Shawn (Winter)
Can be taken more than once.
Ensemble : An ensemble of 8 to 12 voices specializing in early music. N.B. This ensemble may substitute as a Basic Ensemble in programs that specify Choral Ensemble, with Departmental approval.
Terms: Fall 2022, Winter 2023
Instructors: Nadler, Rona (Fall) Nadler, Rona (Winter)
4 hours
Prerequisite: Audition.
Ensemble : Study of song repertoire for singers and pianists.
Terms: Fall 2022, Winter 2023
Instructors: McMahon, Michael (Fall) McMahon, Michael (Winter)
Ensemble : An ensemble of 4-6 vocalists and instrumentalists which performs music of the Medieval, Renaissance and Baroque periods.
Terms: Fall 2022, Winter 2023
Instructors: La Rotta, Esteban; Brault, Olivier; Jennejohn, Matthew; Bergeron, sylvain; Frey, Elinor; Bandy, Dorian (Fall) Bandy, Dorian; La Rotta, Esteban; Bergeron, sylvain; Jennejohn, Matthew; Putterman, Mika; Frey, Elinor; Lauzer, Vincent; Brault, Olivier (Winter)
Prerequisite: Audition. Prerequisite or corequisite for keyboard players: MUPG 272.
Ensemble : Students enrolling in Choral Ensembles will be assigned to one of the above groups.
Terms: Fall 2022, Winter 2023
Instructors: Vallée, Jean-Sébastien; Gaudreault, Gabrielle; Doyle, Ryan; Ducasse, Christopher; Pierpont, Jessica (Fall) Gaudreault, Gabrielle; Ducasse, Christopher; Pierpont, Jessica; Doyle, Ryan (Winter)
4 hours
Prerequisite: Audition.
Section 001 Chamber Singers: a group of approximately 24 mixed voices which explores the a cappella repertoire of all periods as well as works with chamber accompaniment.
Section 002 Concert Choir: an ensemble of approximately 60 voices (S.A.T.B.) which performs the repertoire from all periods appropriate to a group of this size.
Section 003 University Chorus: a mixed chorus of approximately 100 which performs a variety of choral material including both traditional and popular selections.
Section 004 Women's Chorale: an ensemble of approximately 40 women stressing the fundamentals of singing and ensemble participation.
Ensemble : Acting Methods, Aria as Monologue, theatrical movement, and script/score analysis. Productions singing roles, covering roles, and/or singing in the ensemble. Culminates in a Scenes Program that includes repertoire from the last 400 years of opera, operetta, Singspiel, opéra comique, musical theatre, and 21st century works.
Terms: Fall 2022, Winter 2023
Instructors: Hansen, Patrick; Hargreaves, Stephen (Fall) Hansen, Patrick; Hargreaves, Stephen (Winter)
Prerequisite: Audition
Ensemble : Individual coaching in acting, movement and role preparation; possibility for roles in Opera º«¹úÂãÎè productions (by audition).
Terms: Fall 2022, Winter 2023
Instructors: Hansen, Patrick; Hargreaves, Stephen (Fall) Hansen, Patrick; Hargreaves, Stephen (Winter)
3 - 6 hours
Prerequisite: audition