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Note: This is the 2014–2015 edition of the eCalendar. Update the year in your browser's URL bar for the most recent version of this page, or click here to jump to the newest eCalendar.
Note: This is the 2014–2015 edition of the eCalendar. Update the year in your browser's URL bar for the most recent version of this page, or click here to jump to the newest eCalendar.
Orchestral, Wind Band, and Choral
Applicants to the Performance program are expected to have a background in Music Theory equivalent to the B.Mus. in Performance. Applicants found to be deficient in their background preparation may be required to take certain additional music theory undergraduate courses.
The following program prerequisite courses may be assigned as additional courses based on transcript review:
MUPD 560 - Intro to Research Methods in Music
MUSP 170 - Musicianship (Keyboard) 1
MUSP 171 - Musicianship (Keyboard) 2
Choral Conducting:
MUCT 235 - Vocal Techniques
MUCO 261 - Orchestration 1
MUHL 397 - Choral Literature after 1750
Orchestral and Wind Conducting:
4 credits of:
MUCO 261 - Orchestration 1 (2 credits)
MUCO 360 - Orchestration 2 (2 credits)
MUCO 460 - Orchestration 3 (2 credits)
and:
MUHL 389 - Orchestral Literature or MUHL 398 - Wind Ensemble Literature after 1750
18 credits:
Practical Instrument : Individual instrumental, vocal, conducting, collaborative piano or operatic tutorial. Technical and interpretive development, preparation of thesis performance projects.
Terms: Fall 2014, Winter 2015
Instructors: Mdivani, Marina; Guimond, Claire; Bergeron, Sylvain; Huang, Yai-Yun; Marandola, Fabrice; Hashimoto, Kyoko; Poletaev, Ilya; Forget, Normand; Christie, Carolyn; Levesque, Stephane; Zirbel, John; Roy, Andre J; Yazdanfar, Ali; Algie, Stephen; Kolomyjec, Joanne; Popescu, Maria; Boudreault-Sevadjian, Therese; Sylvan, Sanford; Beaudry, Pierre; Eriksson, Erik; Hauser, Rudolf-Alexius; Aldrich, Simon; Haimovitz, Matt; Merkelo, Paul A; McMahon, Michael; Kutan, Aline; Fewer, Mark; Lupien, Denise; Crowley, Robert; Swartz, Jennifer; Leclair, Jacqueline; Dolin, Elizabeth; Baskin, Theodore; Box, James; Hutchins, Timothy; Chappell, Eric; Dyachkov, Yegor; Robinson, Brian; Freeman, Peter; Strauss, Axel; Manker, Brian; Plouffe, Helene; Napper, Susan; Weman Eriksson, Lena; Beghin, Tom; Cazes, Alain; Knox, Hank; Richer, Patrice; Johnson, Alexander David; Lemelin, Stéphane; Moye, Felicia; Labelle, Dominique; Purdy, Winston (Fall) Huang, Yai-Yun; Marandola, Fabrice (Winter)
Restriction: Not open to students who have taken MUPG 620
Practical Instrument : Additional individual instrumental, vocal, conducting, collaborative piano or operatic tutorial according to area of performing specialization.
Terms: Fall 2014, Winter 2015
Instructors: Hashimoto, Kyoko; Chappell, Eric; Roy, Andre J; Strauss, Axel; Kutan, Aline; Kolomyjec, Joanne (Fall) Mdivani, Marina; Guimond, Claire; Bergeron, Sylvain; Marandola, Fabrice; Reimer, Benjamin; Mativetsky, Shawn Eliot; Hashimoto, Kyoko; Poletaev, Ilya; Forget, Normand; Christie, Carolyn; Levesque, Stephane; Zirbel, John; Roy, Andre J; Yazdanfar, Ali; Algie, Stephen; Kolomyjec, Joanne; Popescu, Maria; Boudreault-Sevadjian, Therese; Sylvan, Sanford; Beaudry, Pierre; Eriksson, Erik; Hauser, Rudolf-Alexius; Aldrich, Simon; Haimovitz, Matt; Merkelo, Paul A; McMahon, Michael; Kutan, Aline; Fewer, Mark; Lupien, Denise; Crowley, Robert; Swartz, Jennifer; Leclair, Jacqueline; Dolin, Elizabeth; Baskin, Theodore; Box, James; Hutchins, Timothy; Chappell, Eric; Dyachkov, Yegor; Robinson, Brian; Freeman, Peter; Strauss, Axel; Manker, Brian; Plouffe, Helene; Napper, Susan; Weman Eriksson, Lena; Cazes, Alain; Knox, Hank; Richer, Patrice; Johnson, Alexander David; Lemelin, Stéphane; Moye, Felicia; Labelle, Dominique; Purdy, Winston (Winter)
Restriction: Not open to students who have taken MUPG 621
Practical Instrument : Individual tutorial according to area of performing specialization. Interpretative preparation of thesis performance projects and development of individual artistic vision.
Terms: Fall 2014, Winter 2015
Instructors: Box, James; Zirbel, John; Guimond, Claire; Bergeron, Sylvain; Plouffe, Helene; Eriksson, Erik; Hashimoto, Kyoko; Mdivani, Marina; Poletaev, Ilya; Popescu, Maria; Sylvan, Sanford; Kolomyjec, Joanne; Algie, Stephen; Levesque, Stephane; Aldrich, Simon; Christie, Carolyn; Fewer, Mark; Lupien, Denise; Roy, Andre J; Haimovitz, Matt; Yazdanfar, Ali; Merkelo, Paul A; Huang, Yai-Yun; Marandola, Fabrice; Kestenberg, Abe; Hutchins, Timothy; Leclair, Jacqueline; Crowley, Robert; Boudreault-Sevadjian, Therese; Robinson, Brian; Baskin, Theodore; Bolduc, Remi; Kutan, Aline; Dyachkov, Yegor; Swartz, Jennifer; Knox, Hank; Napper, Susan; Beghin, Tom; Manker, Brian; Strauss, Axel; Freeman, Peter; Labelle, Dominique; Hauser, Rudolf-Alexius; Cazes, Alain; Dolin, Elizabeth (Fall) Hashimoto, Kyoko; Poletaev, Ilya; Hauser, Rudolf-Alexius; Boudreault-Sevadjian, Therese; Forget, Normand; Roy, Andre J; Sylvan, Sanford; Huang, Yai-Yun; Marandola, Fabrice; Mdivani, Marina; Merkelo, Paul A; Bolduc, Remi; Chappell, Eric; Strauss, Axel; Kutan, Aline; Kolomyjec, Joanne; Knox, Hank (Winter)
Restriction: Not open to students who have taken MUPG 622
Performance : Solo recital, collaborative piano recital, conducting recital or principal Opera Role (by audition) with program notes.
Terms: Fall 2014, Winter 2015, Summer 2015
Instructors: There are no professors associated with this course for the 2014-2015 academic year.
Restriction: Not open to students who have taken MUPG 660, MUPG 660D1/D2 or MUPG 665D1/D2
Solo recital (60-70 minutes), collaborative piano recital (60-70 minutes), conducting recital (30-40 minutes) or Principal Opera Role as defined by the American Guild of Musical Artists' website (), Lead, Schedule C
9 credits from the following:
Performance : Solo recital, collaborative piano recital, conducting recital or principal opera role (by audition) with program notes. May include chamber music providing none of the repertoire was prepared in a chamber ensemble taken for credit.
Terms: Fall 2014, Winter 2015
Instructors: There are no professors associated with this course for the 2014-2015 academic year.
Restriction: Not open to students who have taken MUPG 667, MUPG 667D1/D2, MUPG 657 or MUPG 657D1/D2
Solo recital (60-70 minutes), collaborative piano recital (60-70 minutes), conducting recital (30-40 minutes) or principal opera role (by audition) as defined by the American Guild of Musical Artists' website (), Lead, Schedule C
Performance : Recital, conducting recital or featured opera role (by audition) with program notes.
Terms: Fall 2014, Winter 2015, Summer 2015
Instructors: There are no professors associated with this course for the 2014-2015 academic year.
Recital (30-40 minutes), conducting recital (20-30 minutes) or featured opera role (by audition) as defined by the American Guild of Musical Artists' website (), Featured, Schedule C
Performance : Concerto performance with orchestra (for the concerto competition or other competition in Montreal) or supporting opera role (by audition) with program notes.
Terms: Fall 2014, Winter 2015, Summer 2015
Instructors: There are no professors associated with this course for the 2014-2015 academic year.
Supporting Opera Role as defined by the American Musical Artists' website (), Supporting, Schedule C
Performance : Recording project with liner notes.
Terms: Fall 2014, Winter 2015
Instructors: There are no professors associated with this course for the 2014-2015 academic year.
Limited enrolment; admissions by proposal only and with approval of the Department; additional fees apply.
Performance : Research-creation involving collaboration between different disciplines resulting in a new work, interpretation or contribution to knowledge presented in public (i.e., performer-composer commission; performer and actor/dancer collaboration, subject in CIRMMT research study, etc) with program notes as relevant.
Terms: Winter 2015
Instructors: There are no professors associated with this course for the 2014-2015 academic year.
Performer-composer composition of 5-10 minutes. By proposal only and with approval of the Department.
* Solo Recital.
** Concerto only.
Graduate Faculty Music Courses : Participation in three professional development workshops or research colloquium approved by the department on topics such as performance pedagogy, academic teaching, music production, copyright, business, grantsmanship, etc. Students participate in each semester of residency until requirements have been met.
Terms: Fall 2014
Instructors: There are no professors associated with this course for the 2014-2015 academic year.
One of the following:
Performance Practice : Seminar in performance practice. Topic varies by year.
Terms: Fall 2014, Winter 2015
Instructors: Cossette, Isabelle (Fall)
3 hours
Performance Practice : Seminar in performance practice. Topic varies by year.
Terms: Winter 2015
Instructors: Weman Eriksson, Lena (Winter)
3 hours
Performance Practice : Seminar in performance practice. Topic varies by year.
Terms: Fall 2014
Instructors: Marandola, Fabrice (Fall)
3 hours
Performance Practice : Seminar in performance practice. Topic varies by year.
Terms: Winter 2015
Instructors: Bourgogne, Guillaume (Winter)
3 hours
Performance Practice : Seminar in performance practice. Topic varies by year.
Terms: Fall 2014, Winter 2015
Instructors: Weman Eriksson, Lena (Fall) Porter, William (Winter)
3 hours
Performance Practice : Seminar in performance practice. Topic varies by year.
Terms: Fall 2014
Instructors: Cumming, Julie Emelyn (Fall)
3 hours
One approved graduate 3-credit seminar with the prefix MUCO, MUGS, MUGT, MUHL, MUMT, MUPP, or MUTH.
One additional graduate 3-credit seminar approved by the Department.
Three terms of:
Ensemble : Workshop for conductors that provides rehearsal podium time with various ensembles as relevant to students' specialty.
Terms: Fall 2014, Winter 2015
Instructors: Hauser, Rudolf-Alexius (Fall) Hauser, Rudolf-Alexius (Winter)
Restriction: Open only to graduate students in conducting or with the permission of the instructor
2 credits:
Performance : Playing operatic piano-vocal scores at sight. Realizing at the piano operatic orchestral scores with emphasis on repertoire from before 1800.
Terms: Fall 2014
Instructors: Petersen, Katherine (Fall)
Performance : Playing operatic piano-vocal scores at sight. Realizing at the piano operatic orchestral scores with emphasis on repertoire from after 1800.
Terms: Winter 2015
Instructors: Petersen, Katherine (Winter)
4 credits:
Performance : Exploration of rehearsal techniques used by conductors and coaches in a variety of different settings (at º«¹úÂãÎè and in the larger Montreal community) including orchestra, orchestra sectionals, contemporary music ensembles, wind ensembles, early music ensembles, choral ensembles, jazz band, chamber music ensembles, and opera and various classes such as Song Interpretation 2 through observation and discussion.
Terms: Fall 2014
Instructors: Hauser, Rudolf-Alexius (Fall)
Restriction: Open to graduate students in choral, wind, and orchestra conducting or with the permission of instructor
Performance : Continuation of MUPG 580 Rehearsal Techniques for Conductors 1.
Terms: Fall 2014, Winter 2015
Instructors: Cazes, Alain (Fall) Cazes, Alain (Winter)
Restriction: Open to graduate students in choral, wind, and orchestra conducting or with the permission of instructor