º«¹úÂãÎè

º«¹úÂãÎè.ca / Overview / Schulich School of Music / Undergraduate / Programs

Major Performance (All Instruments except Piano, Voice and Jazz) (93 credits)

Note: This is the 2011–2012 edition of the eCalendar. Update the year in your browser's URL bar for the most recent version of this page, or click here to jump to the newest eCalendar.

Offered by: Performance     Degree: Licentiate in Music

Program Requirements

The Licentiate in Music (L.Mus.) Major Performance in All Instruments except Piano, Voice, and Jazz is a 93-credit program. Ensemble Requirements: 1. Students majoring in violin, viola, or cello must commence their assigned ensembles with four terms of string quartets. 2. Violin Majors will be required to complete two terms of ensemble playing on viola. Special Requirements: 1. Continuation in the program requires a minimum grade of A- in practical instruction/exams and ensembles. 2. Students must take the L.Mus. Performance 1 Examination at the end of their first year of study and the L.Mus. Performance 2 and 3 Examinations in each of the next two years if they hope to complete the program in the normal length of time.

Required Performance (48 credits)

48 credits selected as follows:

Complementary Performance (18 credits)

Large Ensemble Training – during every term of enrolment as a full-time or part-time student.

18 credits selected as follows:

12 credits from:

  • MUEN 563 Jazz Vocal Workshop (2 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : .

    Terms: This course is not scheduled for the 2011-2012 academic year.

    Instructors: There are no professors associated with this course for the 2011-2012 academic year.

  • MUEN 572 Cappella Antica (2 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : An ensemble of 8 to 12 voices specializing in early music. N.B. This ensemble may substitute as a Basic Ensemble in programs that specify Choral Ensemble, with Departmental approval.

    Terms: Fall 2011, Winter 2012

    Instructors: Kinslow, Valerie (Fall) Kinslow, Valerie (Winter)

    • 4 hours

    • Prerequisite: Audition.

  • MUEN 573 Baroque Orchestra (2 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : Open to singers and instrumentalists, this ensemble specializes in chamber music primarily of the Baroque era.

    Terms: Fall 2011, Winter 2012

    Instructors: Knox, Hank (Fall) Knox, Hank (Winter)

    • 4 hours

    • Prerequisites: Audition AND MUEN 480 AND a prerequisite or corequisite of MUPP 381. Additional prerequisite for keyboard players: MUPG 372 with a grade of A-.

  • MUEN 587 Cappella º«¹úÂãÎè (2 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : An ensemble of 16 voices performing challenging repertoire from the Renaissance to the present day. Since the expectation is a level of performance equivalent to a professional chamber ensemble, singers wishing to join this group should have had considerable ensemble experience, and advanced vocal and sight-reading skills.

    Terms: This course is not scheduled for the 2011-2012 academic year.

    Instructors: There are no professors associated with this course for the 2011-2012 academic year.

    • 4 hours
    • Prerequisite: Audition.
    • Note: May be taken instead of Choral Ensemble.
  • MUEN 590 º«¹úÂãÎè Winds (2 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : .

    Terms: Fall 2011, Winter 2012

    Instructors: Cazes, Alain (Fall) Cazes, Alain (Winter)

    • 4-6 hours

    • Prerequisite: Audition

  • MUEN 592 Chamber Jazz Ensemble (2 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : This ensemble will deal with the extensive repertoire of music which exists for small jazz orchestra (9-13 instruments).

    Terms: Fall 2011, Winter 2012

    Instructors: Bolduc, Remi; Sullivan, Joseph Leo (Fall) Sullivan, Joseph Leo; Bolduc, Remi (Winter)

    • Restriction: Open to Jazz Performance students only.

  • MUEN 593 Choral Ensembles (2 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : Students enrolling in Choral Ensembles will be assigned to one of the above groups.

    Terms: Fall 2011, Winter 2012

    Instructors: Maute, Matthias; Schubert, Peter N; Ouimet, Francois (Fall) de Souza, Jordan James; Ouimet, Francois (Winter)

    • 4 hours

    • Prerequisite: Audition.

    • Section 001 Chamber Singers: a group of approximately 24 mixed voices which explores the a cappella repertoire of all periods as well as works with chamber accompaniment.

    • Section 002 Concert Choir: an ensemble of approximately 60 voices (S.A.T.B.) which performs the repertoire from all periods appropriate to a group of this size.

    • Section 003 University Chorus: a mixed chorus of approximately 100 which performs a variety of choral material including both traditional and popular selections.

    • Section 004 Women's Chorale: an ensemble of approximately 40 women stressing the fundamentals of singing and ensemble participation.

  • MUEN 594 Contemporary Music Ensemble (2 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : .

    Terms: Fall 2011, Winter 2012

    Instructors: Gort, Cristian (Fall) Gort, Cristian; de Souza, Jordan James (Winter)

    • 4 hours

    • Prerequisite: Audition.

  • MUEN 595 Jazz Ensembles (2 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : .

    Terms: Fall 2011, Winter 2012

    Instructors: Foote, Gordon; Di Lauro, Ronald; Rossi, Dominic (Fall) Foote, Gordon; Di Lauro, Ronald; Rossi, Dominic (Winter)

    • 3-4 hours

    • Prerequisite: Audition.

  • MUEN 597 Orchestral Ensembles (2 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : .

    Terms: Fall 2011, Winter 2012

    Instructors: Hauser, Rudolf-Alexius (Fall) Hauser, Rudolf-Alexius (Winter)

    • 6 - 7 hours

    • Prerequisite: Audition.

Assigned Small Ensemble - during every term of enrolment as a full-time or part-time student.

6 credits from:

  • MUEN 560 Chamber Music Ensemble (1 credit)

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : .

    Terms: Fall 2011, Winter 2012

    Instructors: Devuyst, Russell; Dyachkov, Yegor; Dunn, Andrew; Klopoushak, Carissa; Boudreault-Sevadjian, Therese; Fewer, Mark; Chen, Jun-Yuan; Johnson, Alexander David; Derome, Denys; Beaulac, Stephane; McNabney, Douglas; Roy, Andre J; Dolin, Elizabeth; Haimovitz, Matt; Swartz, Jennifer; Forget, Normand; Huang, Yai-Yun; Miller, Dennis; Hashimoto, Kyoko; Shuter, Cindy; Kestenberg, Abe; Robinson, Brian (Fall) Haimovitz, Matt; Kestenberg, Abe; Dunn, Andrew; Dolin, Elizabeth; Miller, Dennis; Forget, Normand; Shuter, Cindy; Swartz, Jennifer; MacMillan, Elizabeth H; Boudreault-Sevadjian, Therese; Fewer, Mark; Dyachkov, Yegor; Johnson, Alexander David; Devuyst, Russell; Derome, Denys; McNabney, Douglas; Beaulac, Stephane; Klopoushak, Carissa; Huang, Yai-Yun; Mangrum, Martin D; Cazes, Alain; Robinson, Brian; Yazdanfar, Ali; Roy, Andre J (Winter)

  • MUEN 580 Early Music Ensemble (1 credit)

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : An ensemble of 4-6 vocalists and instrumentalists which performs music of the Medieval, Renaissance and Baroque periods.

    Terms: Fall 2011, Winter 2012

    Instructors: Bergeron, Sylvain; Maute, Matthias; MacMillan, Elizabeth H; Kinslow, Valerie; Michaud, Natalie; Plouffe, Helene (Fall) Kinslow, Valerie; Beghin, Tom; Bergeron, Sylvain; Michaud, Natalie; Plouffe, Helene; Maute, Matthias; MacMillan, Elizabeth H (Winter)

    • Prerequisite: Audition. Prerequisite or corequisite for keyboard players: MUPG 272.

  • MUEN 585 Sonata Masterclass (1 credit)

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : Exploration of the vast literature for sonatas with piano and instrument, including multiple issues of ensemble preparation and performing.

    Terms: Fall 2011, Winter 2012

    Instructors: Hashimoto, Kyoko (Fall) Hashimoto, Kyoko (Winter)

    • Prerequisite: MUEN 583 (formerly MUEN 483); or MUEN 556; or permission of the instructor

    • Restriction: Limited to 4 advanced pianists and 4 instrumentalists.

  • MUEN 589 Woodwind Ensembles (1 credit)

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : .

    Terms: This course is not scheduled for the 2011-2012 academic year.

    Instructors: There are no professors associated with this course for the 2011-2012 academic year.

    • 2-3 hours
    • Prerequisite: Audition
  • MUEN 591 Brass Consort (1 credit)

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : An in-depth exploration of full-scale works for a brass ensemble (horns, trumpets, trombones and tuba in settings ranging from 5 to 20 instruments), by composers such as R. Strauss, Wagner, Holst and Bernstein, along with contemporary composers.

    Terms: This course is not scheduled for the 2011-2012 academic year.

    Instructors: There are no professors associated with this course for the 2011-2012 academic year.

    • 2-3 hours
    • Prerequisite: Audition.
  • MUEN 598 Percussion Ensembles (1 credit)

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : .

    Terms: Fall 2011, Winter 2012

    Instructors: Huang, Yai-Yun; Marandola, Fabrice (Fall) Huang, Yai-Yun; Marandola, Fabrice (Winter)

    • 2-3 hours

Required Courses (25 credits)

25 credits of required courses selected as follows:

9 credits of Theory
10 credits of Musicianship
6 credits of History

Theory

  • MUTH 150 Theory and Analysis 1 (3 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music Theory and Analysis : Diatonic chords and harmonic progressions, focus on outer-voice framework, cadences, embellishments, building chordal fluency in common-practice tonality, applied chords.

    Terms: Fall 2011, Summer 2012

    Instructors: Schubert, Peter N; Davidson, Thomas (Fall) Luong, Vivian (Summer)

    • Prerequisite: Matriculation Music or º«¹úÂãÎè Conservatory Theory Secondary V or its equivalent.

    • Corequisites: MUSP 140 and MUSP 170

  • MUTH 151 Theory and Analysis 2 (3 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music Theory and Analysis : Sequences and modulation, chromatic vocabulary, analysis of simple theme types (sentence, period, hybrids) and fugal techniques.

    Terms: Winter 2012, Summer 2012

    Instructors: Biamonte, Nicole; Davidson, Thomas (Winter) Campbell, Evan (Summer)

  • MUTH 250 Theory and Analysis 3 (3 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music Theory and Analysis : Compositional resources of late 18th and early 19th century music. Analysis of forms common to the period c. 1770 - 1840, including Classical sonata forms in several media.

    Terms: Fall 2011, Summer 2012

    Instructors: Caplin, William Earl (Fall) Goodchild, Meghan (Summer)

Musicianship

  • MUSP 140 Musicianship Training 1 (2 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Musicianship : Rhythm and metre basic subdivisions and conducting patterns; intervals, chords, and scale patterns; non-modulating tonal melodies with treble and bass clefs; harmonic progressions emphasizing two-part outer voice structures.

    Terms: Fall 2011

    Instructors: Mariner, Justin B; De Castro, Margaret Emily; Asly, Monica; Guzik, John W P; Kunz, Jean-Willy; McDonald, Mark (Fall)

    • 2 hours

    • Prerequisite: Matriculation Music or º«¹úÂãÎè Conservatory Theory Secondary V or its equivalent.

    • Corequisites: MUTH 150, MUSP 170

  • MUSP 141 Musicianship Training 2 (2 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Musicianship : Rhythm and metre mixed divisions and syncopations; triadic and seventh chord voicings and disjunct pitch collections; chromatically embellished melodies adding alto clef; simple modulating harmonic progressions emphasizing two-part outer voice structures.

    Terms: Fall 2011, Winter 2012

    Instructors: De Castro, Margaret Emily; Asly, Monica (Fall) Guzik, John W P; De Castro, Margaret Emily; Asly, Monica; Mariner, Justin B; Kunz, Jean-Willy; McDonald, Mark (Winter)

    • 2 hours

    • Prerequisites: Matriculation Music or º«¹úÂãÎè Conservatory Theory Secondary V or its equivalent. MUSP 140

    • Corequisites: MUTH 151, MUSP 171

  • MUSP 170 Musicianship (Keyboard) 1 (1 credit)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Musicianship : Harmonic, melodic and rhythmic analysis at the keyboard through the study of rudiments, repertoire, chorale/score reading, transposition and harmonization.

    Terms: Fall 2011, Winter 2012

    Instructors: Davidson, Thomas; Kovacs, Jolan Ilona; Gavrilova, Julia; McDonald, Mark; Kang, Han Mi; Krowicki, Marek; Choi, Yoo Kyung (Fall) Kovacs, Jolan Ilona (Winter)

    • 1 hour

    • Prerequisite: Matriculation Music or º«¹úÂãÎè Conservatory Theory Secondary V or its equivalent.

    • Corequisites: MUTH 150 and MUSP 140.

    • Course contents parallel with those of MUTH 150 and MUSP 140.

  • MUSP 171 Musicianship (Keyboard) 2 (1 credit)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Musicianship : Building chordal fluency. Harmonic vocabulary including sequences, chromaticism and modulation. Chorale and score reading with transposing instruments and alto/tenor clefs.

    Terms: Fall 2011, Winter 2012, Summer 2012

    Instructors: Gavrilova, Julia; Kovacs, Jolan Ilona (Fall) Gavrilova, Julia; Kovacs, Jolan Ilona; Krowicki, Marek; Choi, Yoo Kyung; Kang, Han Mi; McDonald, Mark; Davidson, Thomas (Winter) De Castro, Margaret Emily (Summer)

    • 1 hour

    • Prerequisite: MUSP 170

    • Corequisites: MUTH 111 and MUSP 131; or MUTH 151 and MUSP 141

    • Restriction: All students admitted to B.Mus. and L.Mus. programs, including those with keyboard or guitar as their principal instrument, are required to take MUSP 171 Keyboard Lab, unless exempt on the basis of a placement test. Students who are exempt from MUTH 111 through placement tests must still take MUSP 171 (unless exempt) since this course forms the foundation of keyboard-based musicianship tasks at upper levels. (All Majors in Jazz Performance substitute MUJZ 171 for MUSP 171. Students in Jazz Performance who have completed MUJZ 170 and MUJZ 171, and who transfer to a Department of Theory program, will be required to complete MUSP 171.) Students who do not achieve a continuation pass in MUSP 171 must reregister for the course in the semester immediately following. Students who do not achieve a continuation pass after repeating the course will not be allowed to proceed with further Musicianship or Theory studies until a continuation pass is achieved. Tests for MUSP 171 are held in August-September, December-January, and April-May [as well as during the Summer Session when course(s) offered], the exact dates determined by the Department of Music Research.

    • Course contents parallel with those of MUTH 151 and MUSP 141.

  • MUSP 240 Musicianship Training 3 (2 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Musicianship : Rhythm and metre mixed divisions and two-part work; additional chordal voicings and pitch collections; melodies modulating to closely-related keys adding tenor clef; harmonic progression including applied chords; two-part keyboard-style passages.

    Terms: Fall 2011, Winter 2012, Summer 2012

    Instructors: Davidson, Thomas; Mariner, Justin B; Asly, Monica; Guzik, John W P; Woodmass, Rebecca (Fall) Asly, Monica (Winter) Davidson, Thomas; Mariner, Justin B (Summer)

    • Prerequisites: Matriculation Music or º«¹úÂãÎè Conservatory Theory Secondary V or its equivalent. MUSP 141

    • Corequisite: MUTH 250

  • MUSP 241 Musicianship Training 4 (2 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Musicianship : Changing metres; chord voicings and atonal pitch collections; modulating tonal melodies and score reading of transposing instruments; harmonic progression including chromatic chords; two-part passages.

    Terms: Winter 2012, Summer 2012

    Instructors: Davidson, Thomas; Mariner, Justin B; Asly, Monica; Guzik, John W P; Woodmass, Rebecca (Winter) Asly, Monica (Summer)

History

  • MUHL 186 Western Musical Traditions (3 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music History and Literature : A survey of Western music from the Middle Ages to the present. Emphasis on key musical concepts and genres in their historical context and aural recognition of style.

    Terms: Fall 2011, Summer 2012

    Instructors: Provost, Matthew (Fall) Issiyeva, Adalyat (Summer)

    • 3 hours

  • MUHL 286 Critical Thinking About Music (3 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music History and Literature : Examination of various periods and styles: e.g., central works from different traditions, the interaction of music and society, performance practice, and music's relation to other arts.

    Terms: Fall 2011, Winter 2012, Summer 2012

    Instructors: Barg, Lisa (Fall) Kok, Roe-Min (Winter) Huebner, Steven (Summer)

Complementary Musicianship

2 credits from:

  • MUSP 324 Musicianship for Strings (2 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Musicianship : Fundamental musicianship issues in the context of performance with an emphasis on intonation accuracy, rhythm, articulation, voice-leading and sound texture for strings.

    Terms: This course is not scheduled for the 2011-2012 academic year.

    Instructors: There are no professors associated with this course for the 2011-2012 academic year.

  • MUSP 330 Musicianship for Woodwinds (2 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Musicianship : Fundamental musicianship issues in the context of performance with an emphasis on intonation accuracy, rhythm, articulation, voice-leading and sound texture for woodwinds.

    Terms: This course is not scheduled for the 2011-2012 academic year.

    Instructors: There are no professors associated with this course for the 2011-2012 academic year.

  • MUSP 335 Musicianship for Brass (2 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Musicianship : Fundamental musicianship issues in the context of performance with an emphasis on intonation accuracy, rhythm, articulation, voice-leading and sound texture for brass.

    Terms: This course is not scheduled for the 2011-2012 academic year.

    Instructors: There are no professors associated with this course for the 2011-2012 academic year.

  • MUSP 354 Introduction to Improvisation and Ornamentation (2 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Musicianship : Principles of improvisation and ornamentation for music before 1800, including harmonic progressions and voice-leading and contrapuntal patterns for instrumentalists and singers, along with examples of ornamented vocal and instrumental works from 17th and 18th century sources.

    Terms: This course is not scheduled for the 2011-2012 academic year.

    Instructors: There are no professors associated with this course for the 2011-2012 academic year.

  • MUSP 355 Musicianship for Percussion (2 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Musicianship : Fundamental musicianship issues in the context of performance with an emphasis on polyrhythm.

    Terms: This course is not scheduled for the 2011-2012 academic year.

    Instructors: There are no professors associated with this course for the 2011-2012 academic year.

  • MUSP 381 Singing Renaissance Notation (2 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Musicianship : Choral sightsinging of mensural notation, with a focus on white notation c. 1420-1600. Development of basic fluency in the notation, interpretation of values in triple meter, addition of accidentals given the contrapuntal context as perceived aurally, Renaissance solmisation.

    Terms: This course is not scheduled for the 2011-2012 academic year.

    Instructors: There are no professors associated with this course for the 2011-2012 academic year.

Schulich School of Music—2011-2012 (last updated Aug. 17, 2011) (disclaimer)
Back to top